WORLD BIOGRAPHY

Frank LLoyd Wright



WORLD BIOGRAPHY - Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, 1959) was an American architect, interior designer, writer, and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater (1935), which has been called "the best all-time work of American architecture". Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States.
His work includes original and innovative examples of many building types, including
offices, churches, schools, skyscrapers, hotels, and museums. Wright also designed many of the interior elements of his buildings, such as the furniture and stained glass. Wright wrote 20 books and many articles and was a popular lecturer in the United States and in Europe. His colorful personal life often made headlines, most notably for the 1914 fire and murders at his Taliesin studio. Already well known during his lifetime, Wright was recognized in 1991 by the American Institute of Architects as "the greatest American architect of all time".


His house, known as Robbie House, that maze of spatial and geometric stained glass Windows. The information can be found in the book The Wright 3 by blue Balliet. Frank Lloyd Wright holds a specific talisman in the shape of a Jasper Japan fish.
He developed a series of highly individual styles are, influenced the design of buildings around the world, and until recently still a famous architect from the United States.
Wright is also famous throughout her life. Colorful private life has often made headlines, most notably about the failure of his first marriage and two arson and murder in his studio Taliesin in 1914.



Frank Lloyd Wright was called one of the most notable architects in the modern era, with the work of more than 300 designs home. Frank Llyord Wright also became architects who admired to this day by other architects. I tried to analyze and learn about the architecture of Frank Llyord Wright at once showed some quality designs that might provide inspiration.
The architectural flavor of Frank Llyord Wright started with game composing the beams ' Froebel Blocks "is a great game and educational methods for children. This game would later inspire spatial intuition on Frank Llyord Wright for his works, the game invites children to understand the space on a small scale by arranging beams in various forms, in this case hone their sensitivity will result arranging space consequences and structuring beams. Childhood experiences of Frank l. Wright, such as navigate a home, divorce of parents, as well as work in the fields belonging to her uncle could be also provide insight into the unity of the family and the ' organic architecture ' with parts of the House that is a metaphor of human body parts such as the heart,
the lungs, and so forth that has its own functions. In common with the architecture of the ' metabolism ' developed Japan architects at the time was that parts of the building work as the engine in the ' organic architecture '. Education Frank l. Wright HIGH SCHOOL, but did not pass the course or apprentice architecture at Sullivan-Adler architect before finally opened his Office on their own.
The first work of the private Houses that Wright in Oak Park, illinois has shown that design quality FL Wright with a mix of field lines are quite amazing. The roof is visible from the outside has a sharp slope and very different from the kind of architecture ' Victorian ' which evolved at that time as a type of architecture that was popular. This model is compared with the actual conditions in Indonesia as a new type of architecture that became the benchmark for the kind of fundamental changes the architecture of ' common ' such as Classical or Mediterranean architectural style.
Both on the exterior and interior design of his, Frank l. Wright play a lot with the field and the line and the kind of architecture that is ' warm ' look from an overall design of the House, the interior up to the most small furniture like a desk chair, a form of light, and so on. The most exciting thing in addition to the shape of the building is the use of the ornamentasi-referred to or not-in tune with the spirit of ' art deco ' which have not been claimed as an architectural style that quite well organized. The use of decoration vary from different decor inspired from forms of primitive decorations such as ornaments of the Inca-Aztec (this according to my personal observations).
The main strength of the architecture of Frank l. Wright's ' craftmanship ' or a genius, as well as carpentry detail that resonated from the largest (the House) to the detail terkecilnya (furniture), forming the Union of architecture and interiors, integrated and custom made. Take a look at the architecture design house Frank l. Wright for me personally as a ' big ' furniture than a monumental architecture but without meaning. Furniture in the sense of a very liveable ' or ' cozy home.
On the design of the floor plan of the building, FL Wright uses the principle of ' organic architecture ' with parts that grow and spread from a house where every part of the body organs like likened the mutual need for each other. Wright's views on setting up the space left from the statements of modern architecture Louis Sullivan's famous "Form follows Function" which means form follows function. Perfected by Wright that the function of each part of the building must interact with body parts. One consequence of this principle is that modern architecture has a tendency to follow function without regard to aesthetics.
But Wright, who always wanted to ahead of the time argued that the function must be coupled with aesthetic, in which aesthetics became the soul of an architectural space. Especially after observing architecture in Japan at that time was one of the inspiration from modern architecture, Wright understands that one building is a unified whole from which most of the details to terkecilnya. One large building with a good aesthetic must be supported by the detail that resonated, it becomes a unity in the work of art. When a building from its greatest shape when seen either but the details have aesthetic is not aligned, so that each part can not be unified and standing singly, in the sense of the overall building does not become one unified work of art.
The principle of harmony that makes the building Frank l. Wright looks consistently from the biggest to the shape of the form terkecilnya. Use of geometry selara
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